All posts by: Carla Hay

Week 35 – Breathing benefits

I recently delivered a workshop to a choir and naturally started with how to breathe for singing (as discussed in previous weeks). After the session a choir member came up to me and told me she was a respiratory physiotherapist and that all that I had said about breathing for singing was also what she […]

Week 34 – Movements

Some songs are ideally suited to include some movements to create a bigger impact. For example simply stepping forwards and backwards to the beat in certain sections of the song “One Day more” from Les Miserables creates a lot of drama. Some small movements create a stronger support for your sound and thus create a […]

Week 33 – Repertoire choice

This is always difficult for an MD as there are so many people in a choir with so many different tastes in songs. No choir member can be happy with all the choice of songs the MD selects and a big reason for choir members leaving is that they don’t like the repertoire. The MD […]

Weed 32 – Off copy

To create the best performance possible every choir member should aim to sing their parts without having to look at the music. It can be hard for some to learn text off by heart and it can also be scary to not have your music in front of you. It becomes like a comfort blanket. […]

Week 31 – Straws

What is the purpose of humming or blowing into a straw that is in or out of a glass of water and does it really help you create a better sound? Singing/humming through a straw is called an SOVT exercise. Semi Occluded Vocal Tract. The purpose of the straw is to create a back pressure […]

Week 30 – Singing as a face lift

An added bonus to singing correctly is that with regular practice your face will change shape for the better, which can only be a good thing as we age. Raising the soft palate for a better sound and resonance will help lift the cheeks creating more definition. As you raise your soft palate feel the […]

Week 29 – Gestures

Gestures can be very helpful when working on sections you find hard as they distract from negative thoughts that serve no useful purpose. In the absence of these negative thoughts better singing can occur. Our brains know what to do but we get in the way, so using a few gestures will help. There is […]

Week 28 – Singing as a mental work out

In order to sing many things have to work together in your head as well as your body. Singing is both a physical and mental workout and gives a sense of wellbeing and camaraderie. Physically, 140 muscles are involved in singing and many different regions in the brain have to work together and be co-ordinated. […]

Week 27 – Legato

Legato means to connect each sound to each other, which is in contrast to staccato whereby each sound is light and slightly separated from each other. A phrase must have enough breath to see it through to the end and for that to happen you need to prepare and know how long the phrase is. […]

Week 26 – Loud and soft

Singing a song with one dynamic makes for a very boring song. Consider how you would speak the text of the song as if telling a story to a small child? Would you vary the volume? Of course you would otherwise the child would soon become bored. This is the same for an audience if […]